C/A/T 2017 FAQ

The performance at Das Bunker’s 21st Anniversary event prompted many questions about what I’m up to now as C/A/T. I talked to a few people before and after the performance at Bunker, but obviously as releases start coming and word gets out there will be questions from those who did not attend that event. This post is going to attempt to explain things as best as possible.

Q: Was the Das Bunker performance a one-off thing or are you back full-time?

A: Das Bunker was not a one-off. Granted, I have no shows booked at the moment and am definitely not intending to play live often – fingers crossed DB21 won’t be the final show. I’m back “full-time” in the sense that I’m producing music as C/A/T again. As of this writing I’ve already finished a track for a compilation and have begun work on the “comeback” EP (maybe it’ll be longer than an EP, but I’m gunning for an EP right now).

Q: What will the new material sound like? What era of C/A/T will it be most like?

A: Instrumental beat driven music. I had a general idea of how I wanted new C/A/T to sound back in 2014 when I closed up shop. I’m planning on continuing along those lines. Of course, I had to completely recreate my studio environment since then as gear was sold and computers died. It will be different as I’m using a bunch of new stuff now. The closest thing I can equate to what I’m working on to is “Justice” from the “Justice” single I put out in 2014.

Q: Why was the DB21 set mostly old instrumental tracks?

A: I had short notice to put a set together for the gig. Since I have no interest in doing vocals or “terror EBM” music now, it made the most sense to run with an instrumental “power noise” set for the DB21 event. Even still, I spent a lot of the prep time going through many external hard drives pulling together backing tracks from 12+ years ago and converting samples to work with modern software. The next time I perform live it will be very different from the DB21 show.

Q: What about your Corvx de Timor project?

A: It’s dormant. I feel the arc that project took was good and I’m still really happy with the entirety of the project. I have no plans to release any new music as Corvx de Timor; but maybe someday.

Q: What about [insert any number of side projects I’ve had over the years]?

A: No side projects. I’m 100% focused on C/A/T from here on out as far as music goes.

Q: Are you still running Crunch Pod? Will you release your new music on Crunch Pod?

A: No, I don’t still run Crunch Pod. My new music will be self-released on my Bandcamp page and via the usual Apple Music / iTunes / Spotify / etc. digital shops.

Q: What did you do during your time away from music?

A: I wrote. Most of the sites I contributed to died in the wake of the 2016 U.S. Election. I do still write about pro wrestling on a site I founded a few years ago called Turn Heel.

Q: Where is the C/A/T social media?

A: I’m using the name “catwithslashes” wherever possible. I have Facebook, Instagram, and Twitter – though I’m most active on Twitter as Facebook has throttled the page to the point it barely exists.

Well, “never say never”… right? I’ll get into why I’m back in the music producing game in a later post. But the point today is to announce that I’ll be performing a C/A/T set as part of Das Bunker‘s 21st Anniversary festival in Los Angeles this October. It’s a three-day event and C/A/T will be on day 2, October 7th. This will be the first C/A/T performance since the 2011 edition of the UK’s Resistanz Festival. Also, the first North American C/A/T show since 2010. Yeah, it’s been a while.

Das Bunker has a Facebook event set up with the entire line-up for the three day festival here. Also, you can purchase tickets for DB 21 at Ticketfly right now!

Now, I don’t exactly plan on playing a ton of shows from here on out. And I’ll definitely never “tour” again – that much IS a certainty. So, if you’ve always wanted to check C/A/T out, DB 21 would be a great time to do so. This early in the game, the set is shaping up to be a more classic “power noise”-era C/A/T set – with some other surprises thrown in. Of course, if time permits, I’d love to debut some of the new material in October as well.

When I quietly restarted C/A/T a few months ago, I had zero intentions of playing live again. However, Das Bunker has traditionally been one of my favorite places to play AND getting the offer to play with such a great lineup was something I definitely could not pass up.

I should probably add that I will not have merch for sale at DB 21. I got rid of the remaining physical product I had about 5 years ago. If you’re looking to support my new productions somehow, I have a ton of music available for purchase on my Bandcamp page.

Regardless, I’m looking forward to dropping a set in October in L.A. and hopefully I’ll see you there!

As many of you who have found this website are aware, I ran the industrial music label, Crunch Pod, from its inception in 1998 until I closed it up in late 2011.

Under the original iteration of Crunch Pod, my deal with the various bands I worked with was that they retained all rights to their music. So, in effect, if the label ever closed, their music didn’t have to fall into that void of “Man, I hope some obscure torrent site archived those albums” that tends to happen when labels go away but owned the rights to the music. That said, if after I closed down the label you had a hard time finding an album by an artist we worked with… well, that is on the artist. They have 100% control of their music and can obviously choose to release it or keep it unavailable.

Between 2011 and 2014, I made an effort to contact the remaining bands we still had the physical product of hanging out in my garage (ie. the back stock of CDs). I made arrangements to get copies of those albums to several of the artists. Other artists were either not interested, never responded, or decided it was prohibitively expensive to deal with shipping a bunch of heavy items across the country – or internationally – as the cases may have been. In Summer 2014, the remaining stock I had was delivered to the Sacramento County Kiefer Landfill. So, if someone ever wants to do a “E.T. / Atari 2600” archeological dig to find the Crunch Pod CD back stock… well, that’s where it has all been buried. Good luck!

You may have noticed that in between the 2011 closure and 2014 that the Crunch Pod Bandcamp page still had albums by Manufactura, Broken Fabiola, and my personal projects C/A/T & Captive Six. I eventually migrated the C/A/T and Captive Six albums over to a Bandcamp site of my own. There was a brief period those albums became unavailable on Bandcamp due to the issues Bandcamp was having with how VAT charges were going to be levied. Once that issue was addressed, I uploaded the entirety (give or take) of my music back catalog to: https://benarpmusic.bandcamp.com/. Barring the occasional “death hoax” that seems to spring up every 8 months or so and creates a rush on the free downloads – you should be able to obtain the vast majority of my music there for free until Bandcamp stops being a thing.

So, back to Crunch Pod. Not long after I made arrangements to get Karloz.M from Manufactura the vast majority of his remaining CD stock in 2014, he expressed interest in keeping his releases on the Bandcamp page – and – restarting Crunch Pod to continue to release new music. I agreed. It was really that simple. I had no interest in doing it myself, but far be it from me to be a road block for a creative and driven individual to keep the ‘Crunch Pod’ name alive.

I turned over the Bandcamp page to him, he started up a Facebook page for the label, and started plotting the upcoming releases. The rest, as they say, is… well… history, but here are some random facts I’ll throw out there just because:

– I’m writing this blog post in the hopes that SEO and Google indexing help clarify the mass amount of confusion over who runs Crunch Pod in 2016/2017/etc. I HAVE LITERALLY ZERO TO DO WITH CRUNCH POD NOW. I have no say in what they release, what they charge or don’t charge for releases, who they sign, etc. It’s entirely Karloz’s deal until he says otherwise.

– If you never really liked me for whatever reason… well, you can support away now because I have nothing to do with this “Crunch Pod version 2.0”.

– I’m still very much retired from music production.

– Yes, there are copies of the Big Tex CD buried in the landfill.

So, that is that. If you’re intrigued by the new Crunch Pod, check them out at Facebook and Bandcamp.

So, it seemed time for the pro wrestling content to have its own site, so I’ve set up a new portal for that, Turn Heel.

Feel free to head over there if you want to keep up with my reviews and recaps about pro wrestling. This site will remain strictly for my reviews of movies, games, books, and the like. I may rant and rave here occasionally too. We’ll see.

Thanks to everyone who checked out the wrestling content here and I hope you follow me to the new site.


NXT Logo
(WWE Network)

My first memories of professional wrestling are probably similar to most guys my age. I clearly remember staying up late on Saturday nights to watch WWF’s Saturday Night’s Main Event on NBC. I don’t remember the first match I ever saw, but I imagine the ubiquitous WWF brand being found all over mid 1980s culture had something to do with it. At some point in late 1986 my Dad took me to my first live event. A few years later, I went to my first TV taping, a Saturday Night’s Main Event that is now available on the WWE Network.

As the 1990s began, I stopped following WWF as closely, and eventually moved on to other things. Judging from the amount of writing that exists about the early to mid 1990s, I didn’t miss all that much. The late 1990s found me in college, working at the campus radio station. WWF RAW was appearing on our campus (1998 RAW episodes are not available on the WWE Network yet, or I’d link to that show too). I got myself a free ticket to the event and found myself hooked on pro wrestling again. WWF was in full on “Attitude Era” mode and I watched religiously all of the way through the “Monday Night Wars“.

Around 2004, life began to get pretty complicated and I started putting almost all of my free time into my music career. Something had to give and that wound up being pro wrestling.

Over a decade passed where I was casually aware of the, at that point, WWE. However, I never found myself catching an episode of RAW or looking to see if any live events were coming to town.

I’m not even sure the reason, but I found myself starting to read a variety of wrestling websites in the build up to WrestleMania 31 in early 2015. Along with starting to familiarize myself with the 2015 main roster talent, I began to hear more and more about WWE’s developmental promotion, NXT. By then, NXT was a WWE Network exclusive show, so, not being a subscriber I never caught an episode. Still, I was pretty intrigued.  The handful of pro wrestling sites I was beginning to follow couldn’t say enough great things about NXT.

I read the results of WrestleMania 31 online as the show unfolded. The surprise finish of Seth Rollins cashing in the “Money in the Bank” briefcase to win the WWE Championship in the main event impressed me. I, like many online, felt the match would end with Roman Reigns defeating Brock Lesnar. That finish got me to watch RAW the next night for the first time in eleven years. I decided to subscribe to the WWE Network so I could start catching the Pay Per View events. With some time to kill I started poking around on the Network and remembered, “Oh yeah. NXT is on here”.

Having no idea what to expect I dove in to the earliest episodes available on the Network. Within a few episodes I could see that this was something entirely different from the product I was seeing on Monday nights. I found myself hooked within three or four episodes. I began binge watching the show like it was a hot, new Netflix exclusive. Before long I was nearing the end of 2014’s shows and only three or four months behind.

So, why was I drawn in?

The first thing I like about NXT is the way the show deals with talent. They’ll throw someone out with a terrible gimmick, or even no gimmick at all, but that isn’t something that has to stick. Becky Lynch, now throwing down on RAW and PPVs, debuted as a stereotypical Irish girl – even doing a jig in the ring. She then transformed into “generic rocker girl”, before finally settling on a pseudo steampunk look that she’s running with currently. You don’t typically see a transformation like that on the main roster. Talent usually sinks or swims with whatever persona they debut with, with years sometimes passing before a character gets tweaked.

Sasha Banks was an also-ran in a stable called the “BFFs” in the early episodes I watched. I was able to watch her come into her own as an in-ring performer and completely craft her “Boss” character into one of the best overall talents I’ve seen in years.

Oh, and that’s the other thing. WWE had conditioned me to not pay much attention to the female performers. But, notice the first two names I’ve thrown out here are women. NXT showcases their female talent and gives them equal, or sometimes more, time with the male performers. “Diva” matches on RAW would typically end within a minute or two, but NXT would have ten to fifteen minute matches with two women giving a better performance than I’d ever seen from a “Diva” match.  WWE is taking baby steps with their “Diva Revolution” on RAW by infusing it with three of the top female NXT talents, but they still have a long way to go.

NXT also has done a great job in pulling me in and making me give a damn about the feuds they present. I didn’t start out a huge Sami Zayn fan, but got that excited feeling I used to get as a kid when I saw him finally go over for the title at one of the NXT “Takeover” specials. Similarly, I have become a Sasha Banks fan, but I still had ‘all of the feels’ when I saw Bayley beat her for the NXT Women’s Championship at the “Takeover Brooklyn” event the other night. I haven’t felt that way watching any program, especially pro wrestling, in a long time. Nothing the WWE has done on the main roster has even come close to making me actually care enough to see one of my favorite performers lose to someone else. That was certainly unexpected, but, very welcomed.

When WWE runs with disappointing outcomes and missed opportunities on the main roster, I feel like I at least have my breath of fresh air every Wednesday night on the Network. NXT is growing and becoming a force to be reckoned with and I’m sure it will change as its popularity as an alternative grows. It may even end up watered down like RAW is. But, I’ll always be able to look back on 2014 – 2015 NXT and say, that’s what made me a fan again.